![]() As a rule of thumb, Japanese horrors have traditionally either been grounded in the folklore and legend of ghost stories such as Masaki Kobayashi's portmanteau of Lafcadio Hearn short stories, Kwaidan (Kaidan, 1964) or Satsuo Yamamoto's The Bride From Hell (Kaidan Botandoro, 1968), or merely oriental riffs on transplanted Western gothic staples, such as Lake of Dracula (Chi o Suu Me, 1971 - Michio Yamamoto) or The Ghost of the Hunchback (Kaidan Semushi Otoko, 1965 - Hajime Sato).
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